


A reduced population fought for survival in the poisoned landscape many decided to live underground in permanent settlements, while some returned to the surface. She takes him to an ancient museum where "talking rings" tell of a nuclear war in the distant past. The next day, Weena shows George domed, well-like structures that dot the landscape: air shafts that double as access to the Morlock underworld. A Morlock jumps out from behind bushes and tries to drag her away, but the creature's light-sensitive eyes are blinded by George's fire torch. Weena follows, telling him "Morlocks", who only come out at night, have moved it. That night, George discovers his machine has been dragged into the sphinx. The Eloi do not operate machines, work, or read, and know little of mankind's history. She says her name is Weena (Yvette Mimieux) and tells George her people are called the Eloi. George rescues her and is surprised when, revived, she walks away without a word later, she seeks him out and gives him a flower. One woman, carried off by the current, screams for help but none of her companions show any concern. He goes exploring and finds a group of delicate young men and women with simple clothing gathered at a stream. George stops in AD 802,701 near the base of a towering sphinx. He travels much farther into the future until the rock eventually erodes away, revealing a lush, green, unspoiled landscape. George continues his journey forward as the lava rapidly cools and hardens, trapping him inside. A nuclear explosion causes a sudden volcanic eruption around him. An elderly James Filby urges George to immediately take cover. People are hurrying into a nearby fallout shelter amid the blare of air raid sirens. Saddened, he resumes his journey, stopping in 1940 during The Blitz, finding himself in the midst of "a new war" George resumes his journey and stops in 1966, finding his neighbourhood now part of a futuristic metropolis. He meets Filby's son, James, who tells him of Filby's death in the Great War. He presses a lever and moves forward through time 17 years into the future.

Fans energetically followed the “Death of a Bachelor” singer’s acrobatic vocals note for note during the four-song set.George bids his guests a good evening, then heads downstairs where his full-size time machine awaits.
Time machine the journey back 1993 full#
Urie’s signature showmanship was on full display as he took the stage at New York’s 30 Rock Plaza. (Yes, they performed “I Write Sins Not Tragedies.” Of course they did.) The performance marked their first live show in three years. To celebrate the new release, the group went on NBC’s morning show “Today” Friday and performed a selection of songs old and new.
Time machine the journey back 1993 plus#
“The songs take an introspective look into relationship with his decade plus career including growing up in Las Vegas, love and fame.” “The cinematic musical journey is about the fine line between taking advantage of your youth, seizing the day and burning out,” the band said in a press release. The new album is the band’s follow-up to 2018’s platinum-selling “Pray for the Wicked,” which included the hit singles “Say Amen (Saturday Night)” and “High Hopes.” Panic! at the Disco is finally writing songs to end fans’ tragedies.Īfter a four-year hiatus from recording, singer Brendon Urie and the boys released “Viva Las Vengeance” on Friday.
